a fantastic woman film analysis
She is rarely absent from the screen and Lelio’s camera seems always to be catching her character in the act of transcending loneliness, heroically defusing the internal opera of pain, rising above the thousand petty little indignities and hostilities that the world now wishes to add to the ordinary agony of her bereavement. She lies naked in bed, knees bent, with a round mirror placed over her genital area. She goes to the funeral home after the ceremony has taken place.
She stares down at the mirror, her reflected face looking back up at her from between her legs. Orlando's ex-wife and son (Nicolás Saavedra) want Marina out of Orlando's apartment. Wearing a towel and sweating profusely she locates the lockers and opens Orlando's, but it is empty. What does it even mean to be "a fantastic woman"?
At a single stroke, Marina’s whole existence is pathologised and criminalised. Sebastián Lelio’s Oscar-nominated film A Fantastic Woman is a sublime study in the exalted ordeal of grief.
After he has gone, Marina takes the car to be washed. Sonia speaks with such calm confidence, such chilling certainty, it pulls the entire film—and the problem it portrays—into sharp focus. She is then picked up by police, who drive her back and demand an explanation for why she left so suddenly. Read her answers to our Movie Love Questionnaire here. Why does it matter at all? Available for everyone, funded by readers. Upon her arrival, Sonia stops the service and demands that Marina leave. When Sonia arrives she checks over the car and becomes upset. She is taken to dinner by her boyfriend, Orlando, an older man with whom she has recently moved in. A Fantastic Woman (Spanish: Una mujer fantástica) is a 2017 drama film directed by Sebastián Lelio, written by Lelio and Gonzalo Maza,[5] produced by Juan de Dios and Pablo Larraín and starring Daniela Vega and Francisco Reyes.
She 'sees' Orlando and is disturbed. Bruno, Orlando's son, arrives and questions Marina using the name Marissa.
Later she stays with Wanda and Gastón. Marina is asked if Orlando was paying her for sex.
Then she drives the car to the car park, as instructed, and waits for Sonia.
Orlando’s ex-wife icily refers to Orlando’s love for Marina as a “soap opera” – and Almodóvar might have responded far more directly to the soap opera of the situation if he had been directing. She rings a local textile company saying she wants a wreath and thus discovers where the wake is being held. Cinematographer Benjamín Echazarreta has placed Vega at the center of every frame, her face, the back of her neck, her full body.
It is a wonderful performance from the 28-year-old trans actor Daniela Vega: passionate, intelligent and with a certain understated dignity. It was selected to compete for the Golden Bear in the main competition section of the 67th Berlin International Film Festival. Much of what gives A Fantastic Woman its emotional heft is the film’s determination to bring authenticity to its core premise, featuring Chile’s first and only openly transgender actor. True Believers: How Abel Ferrara’s Recent Work Reflects His Debut, The Driller Killer, Amazon's Truth Seekers is Missing Jokes and Scares, Why We Are Voting for Joe Biden And Kamala Harris, The Dark Side of Harrison Ford: On the Roles That Led to What Lies Beneath. She knew who she was with Orlando.
Orlando is much older than Marina, and clearly wealthy (he owns a textile mill), whereas Marina waits tables and pursues a singing career. You have to be pretty sure of your material and your lead actor before deciding to call your film A Fantastic Woman, and the confidence of the Chilean director Sebastián Lelio turns out not to be misplaced. Now that he is gone, she questions everything. She also suggests Orlando was paying Marina as a sex worker rather than that they had a regular relationship. In Sebastián Lelio's new film "A Fantastic Woman," these breathtakingly cruel words are said to Marina (Daniela Vega), a trans woman in mourning for her dead lover Orlando (Francisco Reyes), by Orlando's ex-wife Sonia (Aline Kuppenheim).
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