While either of these two factors could have applied to previous historical moments in pop, the third is the one that most clearly locates “Despacito” in the early 21st century: in short, YouTube. Together with Fonsi and his guitar, they penned a song that is sensual but not easily objectionable — and deeply catchy, a semi-salacious song stacked with hooks, taking a page from recent pop songs with their pre-choruses and multiple refrains. Why now? Most familiar to audiences from his 2005 smash, “Gasolina” (one of the few reggaeton songs to make an incursion into the U.S. pop charts), Yankee brings his street-level credibility and pop savvy to the proceedings, including a blistering verse and refrain that carry the second half of the song. Over the last 25 years, she has contributed to over 40 hit singles in multiple markets, and among other accolades, won a Latin Grammy for a regional Mexican song she wrote for Los Tigres del Norte. For his part, Luis Fonsi seems to think the implications could be profound. Editors' Choice Hirsh maintains a list on his blog of songs that use this particular ordering, and in the last ten years, such instances have ballooned. Becoming the first YouTube video to hit four billion views, Luis Fonsi's super hit also reached the top of the pop charts in over 40 countries. e: “It’s the entire genre’s.” Switching from Spanish to English for his new fans, he added, “We’ve been on this wave for a long time. *Sorry, there was a problem signing you up. Taken together, these factors reveal “Despacito” to be a complex, profoundly collective phenomenon that points as much to the past — whether Tin Pan Alley, San Juan, or Kingston — as it does to the future, to a world remaking global pop in its own image. As music theorist Scott Murphy has pointed out, the vi-IV-I-V chord progression — and this particular one-bar-per-chord instantiation — has become conspicuously common in scores for films and, even more frequently, for trailers. While they have not garnered as much attention as the beat, lyrics, or vocal performances in “Despacito,” these four chords — and their remarkable contemporary resonance — are clearly one of the song’s biggest, subtlest hooks. Copyright © This particular order has been enjoying a remarkable resurgence over the last 20 years, as chronicled by journalist Marc Hirsh who first drew attention to the growing popularity of this permutation of power pop’s favorite chords back in 2008. Already a subscriber? She was “really chill” about rewriting certain lines. With the exception of Rihanna, who grew up in Barbados, and perhaps Drake, who hails from the Caribbean city of Toronto, most of the artists who have stormed the charts deploying forms developed in Jamaica and Puerto Rico have been conspicuous outsiders to those music cultures. Nicole Kidman Loves Television So Much She’s Making Another Show. In the key of C, that would be C major, F major, G major, and A minor. What drives “Despacito” is an irresistible beat that most Puerto Ricans would call dembow, a rhythmic pattern deeply woven across Afro-Diasporic time and space but first and most influentially modernized — made electronic — by Jamaican producers in the 1980s. The tropical turn in pop, so far best exploited by acts from the U.S. and the U.K., has thus potentially opened the door to artists hailing from the actual places where reggae, reggaeton, and other modern Afro-Diasporic dance music have been developed.

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