The State Library of New South Wales holds the most significant archive of Max Dupain's work. Please note that most prints of many images will have some minor blemish or imperfection due to the age and/or condition of the original negative which was scanned to produce each print. This now adds the Max Dupain Exhibition Archive of 28,000 negatives including the Sunbaker and Bondi, 1939, as well as lesser-known photographs such as his fantastic record of Penrith in Sydney's west in 1948. Many of the images below are also available as handprints. Please note that most prints of many images will have some minor blemish or imperfection due to the age and/or condition of the original negative which was scanned to produce each print. Sep 20, 2016 - Explore victoria's board "Max Dupain - Still life Photography" on Pinterest. Read the latest visit information, including hours, 22 Apr 1911 [4], Dupain also worked extensively for the University of New South Wales[5] and CSR Limited and made many trips to the interior and coast of northern Australia. Still life, Modernists: selections from the European collection, Art Gallery of New South Wales, Sydney, 07 Nov 2015–25 Apr 2016. We acknowledge the traditional custodians of the Country on which the Gallery stands, the Gadigal of the Eora Nation, and recognise their continuing connection to land, waters and culture. But it was not until the 1970s that the photograph began to receive wide recognition. During World War II Dupain served with the Royal Australian Air Force in both Darwin and Papua New Guinea helping to create camouflage. And that's all I need".[7]. He used a more naturalistic style of photography, "capturing a moment of everyday interaction [rather than] attempting any social comment". Each scanned file has been touched up to remove most blemishes and each print viewed from the appropriate viewing distance will appear as a very high quality print.

Judy Annear and Daniel Mudie Cunningham, The Image of Man, Sydney, 1997. These images join existing collections of Dupain's commercial and architectural photography, studio portraits, and his record of the Ballet Russes.[11]. In between this he devoted time to pursue his love of architecture, and began architectural photography, which he continued most of his life.

The various visual arts exist within a continuum that…Sydney, city, capital of the state of New South Wales, … [2] An early vintage print of the original version of the Sunbaker is contained an album of photographs donated to the State Library of New South Wales by Dupain's friend, the architect Chris Vandyke.[3]. Max Dupain Still life Shown in 1 exhibition Exhibition history Modernists: selections from the European collection, Art Gallery of New South Wales, Sydney, 07 Nov 2015–25 Apr 2016. Referenced in 1 publication Bibliography Judy Annear and Daniel Mudie Cunningham, The Image of Man, Sydney, 1997. ", Dupain's documentary work of this period is exemplified in his photograph "Meat Queue". However, apart from his war service he rarely left Australia, the first time not until 1978, when he was 67, and even then it was to photograph the new Australian Embassy in Paris, designed by his longtime friend and associate Harry Seidler. In the 1950s the advent of the new consumerism meant that there was plenty of promotional photography for advertising and he attracted clients from magazines, advertising agencies and industrial firms. Purchasers need to accept this occassional ‘imoerfection’ when they receive their print. By 1934 Max Dupain had struck out on his own and opened a studio in Bond Street, Sydney. Purchased with funds provided by the Photography Collection Benefactors' Program 1998, Max Dupain In 1939, after the outbreak of World War II, Dupain married Olive Cotton (also a photographer) but they divorced soon after.

Max Dupains’ Still life digital fine art prints. Dupain continued working until his death in 1992. 1938–1949, 1970 and 1988, State Library of New South Wales, Collection of photographs from the studio of Max Dupain and Associates, 1947–1968, State Library of New South Wales, Architectural photographs by Max Dupain, 1939–1988, State Library of New South Wales, Camping trips on Culburra Beach, N.S.W., 1937, State Library of New South Wales, This page was last edited on 7 April 2020, at 04:10. 27 Jul 1992, 24.5 x 18.2 cm image; 25.5 x 19.2 cm sheet. - The catchcry was "the creative treatment of actuality". [8][9][10] In June 2016 it was announced that the State Library now holds the entire photographic collection of Max Dupain (1911–1992).
Find an in-depth biography, exhibitions, original artworks for sale, the latest news, and sold auction prices. Dupain was appointed an Officer of the Order of the British Empire (OBE) in the 1982 New Year Honours list. Personal life In 1939, after the outbreak of World War II, Dupain married Olive Cotton (also a photographer) but they divorced soon after. [1] He later joined the Photographic Society of NSW, where he was taught by Justin Newlan; after completing his tertiary studies, he worked for Cecil Bostock in Sydney. Refusing to return to the "cosmetic lie" of advertising, Dupain said: "Modern photography must do more than entertain, it must incite thought and by its clear statements of actuality, cultivate a sympathetic understanding of men and women and the life they live and create.

Signed and dated l.r. [6] He wrote, "I find that my whole life, if it is going to be of any consequence in photography, has to be devoted to that place where I have been born, reared and worked, thought, philosophised and made pictures to the best of my ability. Dupain received his first camera as a gift in 1924, spurring his interest in photography.

For a better experience, switch to Mobile Version », The Art Gallery of New South Wales is open. Maxwell Spencer Dupain AC OBE (22 April 1911 – 27 July 1992) was an Australian modernist photographer. The war affected Dupain and his photography, by creating in him a greater awareness of truth in documentary. In 1947, these feelings were reinforced when he read a book Grierson on Documentary which defined the need for photography without pretence.







Max Dupain (Banana Still Life) 17 x 24.5 cm. corner, pencil "Max Dupain '30s". Many of the images below are also available as handprints. We are observing strict physical distancing and hygiene measures to protect the health of visitors and staff and minimise the spread of COVID-19 (coronavirus). A decade later, Dupain married Diana Illingworth and subsequently they had a daughter Danina and a son Rex, who also became a photographer.

A decade later, Dupain married Diana Illingworth and subsequently they had a daughter Danina and a son Rex, who also became a photographer. [12][13], He was made a Companion of the Order of Australia (AC) in the Australia Day Honours 1992.[14]. Closed Good Friday & Christmas Day, Update from the Gallery regarding COVID-19, Read the latest visit information, including hours, Modernists: selections from the European collection. See more ideas about Still life photography, Photography, Still life. In 1937, while on the south coast of New South Wales, he photographed the head and shoulders of an English friend, Harold Salvage, lying on the sand at Culburra Beach.

Dupain was keen to restart the studio with this new perspective and abandon what he called the "cosmetic lie of fashion photography or advertising illustration". © 2018 Max Dupain Exhibition Photography. Richard Yallop, "The pleasures of Dupain", Officer of the Order of the British Empire, "It's an Honour - Honours - Search Australian Honours", "Sunbaker" page at National Gallery of Australia site, National Library of Australia, Canberra (Max Dupain's Life & Career 1929-1992), https://en.wikipedia.org/w/index.php?title=Max_Dupain&oldid=949553086, Australian Officers of the Order of the British Empire, All Wikipedia articles written in Australian English, Wikipedia articles with RKDartists identifiers, Wikipedia articles with SELIBR identifiers, Wikipedia articles with SNAC-ID identifiers, Wikipedia articles with SUDOC identifiers, Wikipedia articles with TePapa identifiers, Wikipedia articles with Trove identifiers, Wikipedia articles with WORLDCATID identifiers, Creative Commons Attribution-ShareAlike License, Max Dupain and Associates records and negative archive, taken before 30 July 1998, approximately 155,000 Negatives, including transparencies in 973 boxes, held by the State Library of New South Wales, Max Dupain Exhibition Negative Archive of film and glass plate negatives, 29024 negatives, 2150 photographic prints, and some textual material, ca 1920–1992, held by the State Library of New South Wales, Max Dupain archive of photographs and photo negatives (Series 2), State Library of New South Wales, Max Dupain, collection of photographs of Sydney and Manly, ca. Max Dupains’ Still life digital fine art prints. Art Gallery Rd, The Domain 2000Sydney, AustraliaInfo line 1800 679 278, See opening hours and admission See available photographs, paintings, and prints and multiples for sale and learn about the artist. All Rights Reserved. Refunds will only apply for damage or marks incurred from the printing process itself and/or postage damage. A print of the photograph was purchased in 1976 by the National Gallery of Australia in Canberra and by the 1990s it had cemented its place as an iconic image of Australia.



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