Some of the ornaments are missing in historical awareness, with trills played before the bit. This makes for a very consistent listening experience, but yet again brings some oddities of tempo choices. What motivated Bach, a Lutheran, to write music for a Catholic mass? Zhu Xiao-Mei has many admirers worldwide, partially because of her unique biography and documentaries made of her life. Well I find some of these pieces a little unusual, one of the sets is called fantasias anyway I guess, but I'd argue all Bach's keyboard music is a bit didactic.

Schiff has a lifelong experience with the Goldberg Variations yet it’s marvelous how live and spontaneous it still sounds. name and first name of the performer, and the date of the recording to your message. ). Bach conducted individual sections that were later added to the mass, but the work as a whole was not performed in his lifetime, nor during the lifetime of his son Carl Philipp Emanuel Bach, who inherited the score and named the work the Great Catholic Mass. Before moving to the “sleeper” recommendation, there cannot be an overview of the Goldberg Variations without an honorable mentioning of Alexandre Tharaud’s more recent survey, already gushed over earlier in this guide.

A later 80’s recording on the VAI label probably finds her at her absolute best, relatively free and flowing, but she is let down by an amateurish recording made on a private concert. | Order of Discussion All rights reserved. Bach dedicated the piece to his successor, Augustus III, also a Catholic, with the aim of securing the title of Electoral Saxon Court Composer. It’s a shame it didn’t get the attention it deserved at the time of its release, a mistake this guide may be able to fix. Charles Rosen’s version (Sony, 1969) is effective, calm, assured, maybe too “ordinary” and lacking in memorable moments. As with many classical music masterpieces, one sometimes needs a guidance of where to start, a certain number of reference recordings he or she can live with and then develop to other performances. She keeps the tempo tight up except for some dramatic, strategically planned pauses like before the “black pearl” variation.

The “black pearl” is one of the longest on record, losing most of the momentum built before.

There is really very little to fault with this performance; Levit has the disadvantage of coming into the light well after so many distinguished releases, that it’s hard for him to stand out from the crowd.

It sometimes becomes available on YouTube, if you’re curious. | Z, Bach’s Inventions & Sinfonias from Leonhardt, Two-Part Inventions (15), BWV 772-786 [25:10] 15 and 21. Another version for courageous listeners is by Vladimir Feltsman, who’s extravagant account takes one too many steps of making the variations “interesting” at any cost.

Joanna MacGregor restless version has one really memorable moment – The Aria De Capo at the end, where the last variation continues to echo, breaking into what should be a clean start of the last chapter. | Organ | M He also hurries up with the end of every variation. This performance is lacking any resemblance of his great talent which comes across on many other fine recordings. DUMAS, BYLSMA, GAILLARD, WATKIN, WISPELWEY. I have 6 or 7 sets and the Gould remain my favorite. As we’ve seen in the second part, which recommends the best recording of Bach’s Goldberg Variations on the Harpsichord, in some variations Bach instructed the performer to use two manuals (i.e. Tharaud is more internal, introspective artist, as if asking you to get closer to the music with him holding your hand, rather than be an outsider spectator. Bach’s “Goldberg Variations” has long been a masterpiece artists feel obliged to concur, or rather, feel they deserve respect by simply master it. Performers of Instrumental Works: "Who is your favorite interpreter of the Bach cello suites? Roughly 20 of the original publication of the piece survived to this day, one of which contains corrections by the composer. He kept on amassing and inserting new material, as well as reworking old material. I also decided to recommend a “Sleeper version” that may have missed the eye of the criticism or the public. It's taken me a long time to get around to reviewing Gustav Leonhardt's recording of Bach's Inventions & Sinfonias BWV 772-801, but the day has now arrived. The Classic Review was launched in 2018 for classical music lovers around the globe. There are some oddities Schiff explored in these years, including changes in registers that sound a bit comical (Var. The 1723 fair copy of both the Inventions and the Sinfonias has the keys ordered according to the ascending scale (C major / C minor; D major / D minor etc.

She appears to observe all the best qualities of Bach performers from the past (some are mentioned above) …

German cellist Annlies Schmidt studied in Berlin with Emanuel Feuermann to whom she dedicated this recording. Like many great performances, it’s hard to explain how the artist actually achieves what he does, or hearing the piece played in any other way. Listening blindly to Ekaterina Derzhavina’s account (1994), you’d think you are in the company of a truly great Bach performer.

Copyright jsbachcellosuites.com, Marianne Dumas. | V 16 as an example). In the next part, we will dive into the many good (and less good) recordings of the Goldberg Variations on the instrument which the piece was intended – The harpsichord. But some do manage to stand out from the crowd.

She has her own group of admirers and giving her distinguished scholarly and pianistic career it’s viably justified.

| Privacy Policy J. J. Quantz about cellists, Berlin, 1752.

This is another severe, serious version, but one which is much more flowing and natural than Tureck.

It slowly found its way into the repertoire and into the consciousness of music-lovers, and only gradually achieved its special status as a masterpiece.

For the super-budget price it was once offered, it presented a remarkable value – An assured, well recorded and technically commanding performance, with some nice individual touches. Some scholars maintain that the publication was a planned part of the “Clavier Ubung” series, which included what the composer approved and published under his supervision – The Partitas, Italian Concerto and French Overture. Note: Only Cellists who recorded all 6 Suites are listed in this page. Listening to Beatrice Rana’s quite recent release, the word “refreshing” is the first to come to mind. Purists will cringe at this one but Janine Jansen has a great new CD out of all the two and three part inventions transcribed for string trio.



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