They are, in short, our picks for the best films of 2017. While admiring Haley’s favorite local architectural landmarks, the duo engage in conversations about family, obligation, and ambition in the process locating the beauty—and power—of those deeper ideas, and feelings, lurking beneath familiar surfaces. A bisexual Little Mermaid-by-way-of-vampire horrorshow scored to original New Wave-y tunes, it really is like nothing you've ever seen before. Complete list of 2016 Movies that were in theaters. An enthralling, rapturous psychodrama set in the world of 1950s London high fashion, the duo’s latest collaboration stars Day-Lewis as Reynolds Woodcock, a celebrated dressmaker who lives by a prim-and-proper daily (and artistic) routine. Such storytelling confusion is part and parcel of a film that, at every turn, thrillingly plays it both ways, replete with Theron's heroine casting doubt on her allegiance to her interrogative superiors (Toby Jones, John Goodman) while also seducing Sofia Boutella's Frenchwoman. Complete list of 2018 Movies in Theaters.

The end of the year is here, meaning it’s now time to definitively celebrate the finest movies that made their way to the multiplex and the art house.

23 Split $138,291,365 And it's one bolstered by its constant synthesis of disparate forces—man and nature, the modern and the ancient, the West and the East, the physical and the ethereal, and, ultimately, the real and unreal. Eschewing many non-fiction conventions (talking head interviews, textual summaries) for a chronologically fractured, up-close-and-personal depiction of courage under fire, it's a film that inspires as much as it horrifies and infuriates. Consequently, it’s our pick for the best film of 2017.

You may be able to find more information about this and similar content at piano.io, Netflix/A24/Roadside Attractions/FilmRise. Fractured between three interwoven time frames and perspectives (land, sea and air), and shot almost entirely in 70mm IMAX—which stands as the ideal format in which to see this overwhelmingly experiential work—Nolan's wartime tale cares little for character detail or contextual background. Rent/buy on Amazon and iTunes. The revelations that finally materialize are of an unexpected and downright inexplicable sort, exposing the proceedings as a self-conscious biblical/Grimm’s fairy tale allegory about crime and punishment—as well as the cost of refusing to take responsibility for one’s actions. Beauty And The Beast earned $504 million in the United States but, in total, worldwide, the film took in an astounding $1.25 billion, including the $504 million it earned in the United States.

Rent/buy on Amazon and iTunes. 32 Annabelle: Creation $102,092,201 Rent/buy on Amazon and iTunes.

In a breakout performance of coiled intensity and ruthless cunning, Florence Pugh is Katherine, a young woman sold into marriage to an older landowner (Paul Hilton), whose nastiness is only surpassed by that of his domineering father (Christopher Fairbank).

Rent/buy on Amazon and iTunes.

Rent/buy on Amazon and iTunes. Blending the body horror of his 1979 Alien, the gung-ho combat of James Cameron's 1986 sequel Aliens, and the philosophical grandiosity of his 2012 prequel Prometheus—not to mention the man-and-machine musings of his 1982 Blade Runner—Ridley Scott delivers a biblically scaled interstellar nightmare with Alien: Covenant. 1 Star Wars: The Last Jedi $620,181,382 2 Beauty and the Beast (2017) $504,014,165 3 Wonder Woman $412,563,408 4 Jumanji: Welcome to the Jungle $404,372,659 5 Guardians of the Galaxy Vol. Complete list of 2021 Movies Coming to Theaters.

Taking its name from a gallery installation designed to provide a safe space for citizens, Östlund’s saga concerns museum director Christian (Claes Bang), who finds himself at the center of a personal maelstrom thanks to, among other things, a marketing campaign that goes horribly awry, a tense relationship with a journalist (Elisabeth Moss), and a growing crisis caused by his attempts to reclaim his stolen cell phone.

Hundreds of reels of silent movies—those that were buried in a swimming pool, rather than just tossed into the Yukon River—were unearthed in 1978 in the northern Canadian town of Dawson City, thus presenting a window onto a cinematic world that was assumed to be lost forever. Shot on location at a community retreat (and, briefly, at a hotel that was featured in Werner Herzog's Fitzcarraldo), this unique effort is an alternately optimistic and despairing look at the ongoing clash of global cultures. Director Osgood Perkins is the son of Norman Bates himself (actor Anthony Perkins), but he proves to be a horror maestro in his own right with The Blackcoat's Daughter, a beguiling descent into dark, demonic places that's all the more chilling for refusing to chart a simple straight-and-narrow course. Wish Upon ist ein US-amerikanischer Horrorfilm aus dem Jahr 2017 unter der Regie von John R. Leonetti und dem Drehbuch von Barbara Marshall.Der Film handelt von einer Teenagerin, die eine magische Box bekommt, die ihr sieben Wünsche erfüllt, doch dafür muss ein hoher Preis gezahlt werden. Arriving in Columbus to tend to his ailing, and estranged, architect father, Jin (John Cho) falls into a friendship with younger Casey (Haley Lu Richardson), who’s set aside personal dreams in order to stay home and care for her recovering-addict mother (Michelle Forbes). It's ultimately far less important than the overarching air of loss—of parents, of virginity, of adolescence—and grief that consumes them. Rent/buy on Amazon and iTunes. It’s one of the year’s standout debuts, and though it’s set in the mid-1990s, its snapshot of impotence and fury resonates as both universal—and terribly timely. The corrosive influence that parents have on their children, and the discord it breeds between siblings, is at the heart of Baumbach’s film, which would resound as a tragedy if not for the consistent humor derived from the Meyerowitzs’ distinctly NYC-Jewish brand of fuming, fussing and bickering. staff members. 27 Fifty Shades Darker $114,581,250 With Olson’s sleuthing son Eric as his guide, Morris immerses himself in this thorny true-crime case, using dramatized sequences—starring a phenomenal Peter Sarsgaard, Molly Parker, Tim Blake Nelson, and Bob Balaban—for his 1953-set sequences, and documentary interviews and material for the rest. 2 Beauty and the Beast (2017) $504,014,165

31 Murder on the Orient Express (2017) $102,826,543

We may earn a commission from these links. Accidental Courtesy Daryl Davis, Race and America, Vince Giordano There's a Future in the Past, Journey to the West The Demons Strike Back, Chasing Trane The John Coltrane Documentary, My Entire High School Sinking Into the Sea, Harold and Lillian A Hollywood Love Story, Hell on Earth The Fall of Syria and the Rise of ISIS, Pirates of the Caribbean Dead Men Tell No Tales, Hare Krishna The Mantra the Movement and the Swami Who Started It All, The B-Side Elsa Dorfman's Portrait Photography, Valerian and the City of a Thousand Planets, 30 Years of Garbage The Garbage Pail Kids Story, Manolo The Boy Who Made Shoes for Lizards, Mark Felt The Man Who Brought Down the White House, Take Every Wave The Life of Laird Hamilton. Taking aim at a wider variety of targets than he did in his prior Force Majeure, director Ruben Östlund goes after art-world pretensions, media sensationalism, and our inability to uphold basic social contracts with The Square, a sprawling work of satiric confrontation. Most of all, however, it's the year's most exhilaratingly idiosyncratic work, indebted to the spirit of both Steven Spielberg and Hayao Miyazaki, and energized by the distinctive signature of its director.

Bill Morrison’s documentary Dawson City: Frozen Time assembles clips from those forgotten works alongside archival pictures of the region (during the turn-of-the-century gold rush up through the middle of the twentieth century) to fashion a haunting rumination on the fragility of the past. Suggesting a period piece version of a film noir saga as envisioned by Stanley Kubrick, this twisted feminist drama is rooted in contentious racial- and gender-warfare issues, employing a meticulous formalism to recount its cutthroat story about Katherine's at-any-cost attempts to attain liberation. Our list of movies in theaters in 2017 is even more accurate than the IMDB database.

With Blondie style and John Wick ferocity, Charlize Theron strikes a peerless ass-kicking pose in Atomic Blonde, director David Leitch's electric Cold War extravaganza.

Click on any of the 2017 movie posters images for complete information about all 2017 movies in theaters, including trailers.

Their ensuing black-comedy adventure is grimy, bloody, and ridiculous, as director Macon Blair (best known for his performances in Jeremy Saulnier's Blue Ruin and Green Room) pitches his material as an absurdist neo-noir saga about combatting existential despair. Mother! 14 Dunkirk $188,045,546 Instead, it thrusts viewers into the chaos engulfing a variety of infantrymen (including Fionn Whitehead and Harry Styles), commanders (primarily, Kenneth Branagh), fighter pilots (led by Tom Hardy), and civilian boatman (notably, Mark Rylance), all of whose sacrifice, selfishness, cowardice, and heroism is thrown into sharp relief by Nolan's grand set pieces. Available to stream on Netflix. Complete list of 2019 Movies Coming to Theaters. Be it an artist’s (Dominic West) encounter with a Tourette Syndrome-afflicted patron, or a gala dinner interrupted by the arrival of a man (Terry Notary) posing as an ape—and then accosting guests in an increasingly hostile manner—the film spares few in its takedown of our animalistic instincts, and the way in which they interfere with (if not outright decimate) our more considerate impulses. 29 Pitch Perfect 3 $104,897,530 30 Daddy’s Home 2 $104,029,443 Abandonment, drug abuse, and betrayal all factor into this sorrowful equation, as Collin assuredly conveys the messy stew of passion, need, ego, loneliness, and fury that eventually begat such a calamity. That group, known as "Raqqa Is Being Silently Slaughtered" (RBSS), is the focus of director Matthew Heineman's sterling new documentary, which embeds itself with three RBSS members as they struggle to continue their work from Germany and Turkey, where they've been forced to flee thanks to death threats from ISIS. Intricately scripted and grandly performed by its stars (including an amusingly impossible Hoffman), it’s a superior companion piece to the director’s The Squid and the Whale, as compassionate as it is critical. Honorable Mention: Ex Libris: The New York Public Library, Brawl in Cell Block 99, Wonder Woman, The Post, Call Me By Your Name, Hounds of Love, The Villainess, The Ornithologist, A Quiet Passion, Get Out, Stronger, and Baby Driver. Led by Hunnam, Robert Pattinson, and Sienna Miller, it's also one of the finest-acted dramas of the year.

Like the dreamy love child of Amèlie's Jean-Pierre Jeunet and The Fly's David Cronenberg—except with quite a bit more singing and dancing from its fantastical femme fatales—Smoczynska's knockout debut charts its aquatic fairy tale creatures as they make a name for themselves as a pop duo known as "The Lure," along the way falling in love and chomping on unsuspecting (male and female) victims. More captivating still, however, is the script’s canny investigation of the volatile (if well-ordered) interplay of romantic power and desire, which develops in thorny, complex, and always unpredictable ways.



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