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Ames, Richard, ‘Two-man show at UCSB’, in: News-Press Santa Barbara, Santa Barbara, 31 March 1984, pp. The Hedge', New York NY Christopher Kane’, on: www.vogue.com, New York, 11 January 2016, ill. 2015 Wright, Karen, ‘John Chamberlain, Inverleith House, review. B1-B2, ill. Just the Show for Summer in Hamptons’, in: The New York Times, New York, 3 August 1984, pp. Daniel Weinberg Gallery, 'John Chamberlain. Galerie Claude Bernard, 'Aspects de la sculpture américaine', Paris, France Esculturas', Madrid: Ministerio de Cultura, 1984 (exh. Emily Lowe Gallery, Hoftra University, 'Art around the Automobile', Hempstead NY Gardner, Paul, ‘An extraordinary gift of art from ordinary people’, in: Smithsonian Magazine, Washington DC, October 1992, pp. 20,22, 1992 Glueck, Grace, ‘SoHo’s Election Year Concept. cat. Brozan, Nadine, ‘In Bryan Park, the face of violence’, in: The New York Times, New York, 22 April 1996, p. B5 Smith, Duncan, ‘In the heart of the Tinman.
Landes, Nora, ‘In 1969, Warhol, Rauschenberg, and Chamberlain Sent Their Art to the Moon’, on: www.artsy.net, New York, 3 November 2016, ill. New Sculpture’, in: Arts, New York, June 1975, pp. Sculpture 1988–2001', London, England, 2000 The Center for Public Sculpture, 'John Chamberlain. cat. 6-14
The movement of the artist and the subsequent evolution of the work is indicative not only of a kind of American restlessness but also of Chamberlain’s own personal evolution: he sometimes described his use of automobile materials as sculptural self-portraits, infused with balance and rhythm characteristic of the artist himself. Painting, Sculpture. 21-27 Smith, Roberta, ‘Sculpture in the City. Edgar, Natalie, ‘John Chamberlain’, in: ARTnews, New York, February 1962, p. 15
Sculpture, Waddington’, in: ARTnews, New York, September 1922, p. 133 Dullea, Georgia, ‘With This Spiral. Sabin, Selma, ‘South Florida Museum of Art an exciting stop’, in: The Advocate, New York, 19 February 1992 __, ‘Chamberlain Inducted into Arts Hall of Fame’, in: Sarasota Herald Tribune, Sarasota, 27 May 1990 cat. 10-11 38-43, cover New Sculpture', New York: The Pace Gallery, 1991 (exh. 26-27, 1968 Bannard Darby, ‘Cubism, Abstract Expressionism, David Smith’, in: Artforum, New York, April 1968, pp. ), 1979 Gachnang, Johannes, Fuchs, R. H. + [et. Seth Siegelaub Contemporary Art, '“25”. Hauser & Wirth is located in Zurich, London, New York, Somerset, Los Angeles, Hong Kong and Gstaad.
36-37 __, ‘Reviews and Previews’, in: ARTnews, New York, Summer 1967, p. 13 Recent Sculpture', New York NY (Travelling Exhibition) In 2012, four of these sculptures were shown outside the Seagram Building in New York, accompanied by playful titles such as ‘PINEAPPLESURPRISE’ (2010) and ‘MERMAIDSMISCHIEF’ (2009).
Gilsoul, Guy, ‘Exposition. 54–64', London, England __, ‘In de Musea. Stevens, Mark, ‘Energy Made Visible’, in: New York, New York, 19 February 1996, pp. 184-185 Foam Sculptures 1966–1981, Photographs 1989–2004', Marfa TX SINKOPEEFEAST', Giswil, Switzerland, 2009 More Gallery, 'John Chamberlain. Schmitz, Rudolf, ‘Forever Young. The Menil Collection, 'Sculpture, John Chamberlain, 1970s & 1980s', Houston TX New Sculpture', London, England, 2010 Galería Elvira González, 'John Chamberlain', Madrid, Spain Russell, John, ‘Art.
Painting and Sculpture 1913–1993', London, England (Travelling Exhibition) cat. Dan Flavin Art Institute, Dia Art Foundation, 'John Chamberlain. Leitch, Luke, ‘Fall 2016 Menswear. ), 1992 Geldzahler, Henry, 'John Chamberlain. Chambers, Karen, ‘Joan Mitchell and John Chamberlain.
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