Being the ultimate rebel that he was he left home at the age of 17 to join art school which also didn’t meet his expectations, and to no one’s surprise he quickly left and self-taught himself art.

Years later, in an autobiographical text, he boasted about having made substantial profits by supplying wine to the Wehrmacht. According to prominent art critic Hilton Kramer, "There is only one thing wrong with the essays Dubuffet has written on his own work: their dazzling intellectual finesse makes nonsense of his claim to a free and untutored primitivism. Emulating Fautrier, Dubuffet started to use thick oil paint mixed with materials such as mud, sand, coal dust, pebbles, pieces of glass, string, straw, plaster, gravel, cement, and tar. (Collection of letters between Limbour and Dubuffet, with biographical material.). His idealistic approach to aesthetics embraced so-called "low art" and eschewed traditional standards of beauty in favor of what he believed to be a more authentic and humanistic approach to image-making. Many painters of the New York school at this time were also trying to seek status within the avant-garde tradition, and drew influence from Dubuffet's work. Born into a well-off family in Le Havre, France, Dubuffet left home at age 17 to study art in Paris. Dubuffet achieved very rapid success in the American art market, largely due to his inclusion in the Pierre Matisse exhibition in 1946. Encyclopaedia Britannica's editors oversee subject areas in which they have extensive knowledge, whether from years of experience gained by working on that content or via study for an advanced degree.... Get exclusive access to content from our 1768 First Edition with your subscription. George Limbour, L'Art brut de Jean Dubuffet (Tableau bon levain à vous de cuire la pâte), Paris, Éditions Galerie René Drouin, 1953. [9] However, the art that Dubuffet produced while he was there was very specific insofar as it recalled Post-War French ethnography in light of decolonization. This marked Dubuffet's third attempt to become an established artist. He painted these portraits in the same thick materials, and in a manner deliberately anti-psychological and anti-personal, as Dubuffet expressed himself. He is perhaps best known for founding the art movement Art Brut, and for the collection of works—Collection de l'art brut—that this movement spawned. Biography of Jean Dubuffet Jean Dubuffet was born on July 31, 1901, in Le Havre, France, into a middle-class family that distributed wine. At first Dubuffet attended painting courses at the 'Académie Julian' for six months before he gave up his studies. In June 1948, Dubuffet, along with Jean Paulhan, Andre Breton, Charles Ratton, Michel Tapie, and Henri-Pierre Roche, officially established La Compagnie de l'art brut in Paris. Dubuffet was fascinated by the nomadic nature of the tribes in Algeria—he admired the ephemeral quality of their existence, in that they did not stay in any one particular area for long, and were constantly shifting. Americans were intrigued by Dubuffet's simultaneous roots in the established French vanguard and his work, which was so reactionary to his background. In 1969 ensued an acquaintance between him and the French Outsider Art artist Jacques Soisson. In 1943, the writer George Limbour, a friend of Dubuffet from childhood, took Jean Paulhan to the artist's studio. [7], Due to his participation in a steady stream of art exhibitions within his first few years in New York, Dubuffet became a constant presence in the American art world.

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