Selected Photo Books and Catalogues by the Artist: Benachteiligt, Senator von Gesundheit, Soziales und Familie, Berlin 1982 Photographien, Galerie Springer, Berlin 1975 In 2014 the artist was awarded with the Prix Pictet for “Lebensmittel”. New Releases. Martin Guitar has created the finest guitars & strings in the world for over 180 years. Artist. [1] In 2009 he received a prize of the Preis der deutschen Schallplattenkritik for his recording of the organ works by Tilo Medek on the label Cybele. [3] The recording was selected as "recording of the month" (October) by MusicWeb International. – 29.8.2021), Museo Nacional Centro de Arte Reina Sofía, Madrid (28.9.2021 – 28.2.2022), and Albertina Museum, Wien (24.3. Find the best clips, watch programmes, catch up on the news, and read the latest Martin C. Schmidt interviews.

Meet our Martin ambassadors, a collection of today's top artists from all musical genres. Waffenruhe, in collaboration with Einar Schleef, Berlinischen Galerie, Berlin 1987 ), Mu_nster 1998 ), Bozen 1992

), Steidl Verlag Göttingen 2005 “Lebensmittel” (Food) was presented in solo exhibitions at Museum Morsbroich, Leverkusen (2012), Galerie im Taxispalais, Innsbruck (2013) and at Martin-Gropius-Bau, Berlin (2013). AKA Martin C. Schmidt. M. C. Schmidt. Berlin-Wedding, Stadtlandschaft und Menschen, Bezirksamt Wedding von Berlin, Berlin 1978 Martin Schmeding (born 1975) is a German church musician, concert organist and academic teacher, who has made recordings of the complete organ works by composers such as Brahms, Mendelssohn, Franz Schmidt, Max Reger and Tilo Medek Enjoy the videos and music you love, upload original content, and share it all with friends, family, and the world on YouTube.

Stadtlandshaften 1981, Museum Folkwang Essen, Essen 1981 Outside of work, Martin is a keen trail-runner and cyclist, and at least once every year he and his wife Monica can be found hiking and cycling in the high mountains of the Pyrenees on the border between France and Spain. [2], "Recording of the month / Max Reger (1873–1916) / Complete Organ Works", https://en.wikipedia.org/w/index.php?title=Martin_Schmeding&oldid=975539224, Hochschule für Musik, Theater und Medien Hannover alumni, Wikipedia articles with MusicBrainz identifiers, Wikipedia articles with WORLDCATID identifiers, Creative Commons Attribution-ShareAlike License, This page was last edited on 29 August 2020, at 03:14. From 2016 he has also been a professor of organ at the Hochschule für Musik und Theater Leipzig. [1] In 2010 he was named "instrumentalist of the year" by Echo Klassik for his recording of an organ version of Bach's Goldberg Variations. The retrospective will be accompanied by a comprehensive catalogue published by Koenig Books with essays by Ute Eskildsen, Janos Frecot, Peter Galassi, Heinz Liesbrock and Thomas Weski. Waffenruhe, Goethe-Institut München, Munich 1989 Provider Code: 00098G ABN: 57 195 873 179

Oscar Schmidt guitars fill the gap between expensive top-end guitars made by makers such as Martin, Taylor and Gibson and cheap beginners’ guitars. Michael W. Jennings: The secrets of the Darkened Chamber. He also writes, produces and presents radio documentaries, including the four-part series Resurrection Symphonies: 80 Years of ABC Music-Making, Strangers in Paradise: ABC Music-Making in Regional Australia, and various documentaries related to music in the First World War, including the acclaimed Music in No Man’s Land. His epic series “Waffenruhe” (Ceasefire) has been exhibited in 1987 at Berlinische Galerie and in 1988 at the Museum of Modern Art, New York. School of Chemistry, UNSW Sydney NSW 2052 Australia Telephone +61 2 9385 4666 | Email chemistry@unsw.edu.au Authorised by Head, School of Chemistry, UNSW. Berlin nach 45, Ute Eskildsen und Steidl Verlag (Ed.

M.C. Fotografien, Sammlung Bernd F Ku_nne, Hanover 1999 Michael Schmidt, AR/GE Kunst Galerie Museum Bozen (Ed. ), Cologne 2000 He is Titularorganist of the Ludwigskirche [de], and the conductor of the Herdermer Vokalensemble. Find Martin C. Schmidt credit information on AllMusic.

Fotografien seit 1965, with a text by Ute Eskildsen, Museum Folkwang Essen, Essen 1995 In 1999 he was a finalist of the ARD International Music Competition in Munich. 89/90, Thomas Weski (Ed. ), with a text by Chris Dercon, Cologne 2010 Commissioned for a premiere performance at the Texas Music Educators' Association 2000 convention, Joseph Martin's Come to the Music is alive and electric with driving rhythm, memorable melodies, mixed meter, and joyful text. Mauern, Kunstverein Göttingen, Göttingen 1991 In 2004 he was appointed professor at the Hochschule für Musik Freiburg, where he has been president of the institute for church music from 2012. Untitled (from Waffenruhe), 1985-87, gelatin silver print, framed by the artist, group of 9 photos, 4x (50.3 x 40.3 cm), 3x (50.5 x 60.3 cm) and 2x (90.3 x 70.3 cm) Michael Schmidt. Michael Schmidt's Berlin nach 1945, October Magazine 158, Cambridge MA, Fall 2016, Kolja Reichert: Drei Farben Grau, Frieze d/e Magazine, no. Berlin, Stadtlandschaft und Menschen, Stapp Verlag, Berlin 1978 A retrospective of the artist's work, curated by Thomas Weski, will be on view at Nationalgalerie im Hamburger Bahnhof – Museum für Gegenwart – Berlin (23.8.2020 – 27.1.2021 ) and will travel to Galerie nationale du Jeu de Paume, Paris (11.5.

His works can be found in national and international collections and have been presented in numerous solo and group exhibitions. Branches and Routes: A FatCat Records Compilation, Everything Is Nice: Matador Records 10th Anniversary Anthology, Bodhran, Editing, Flute, Mixing, Objects, Pipe, Processing, Sampling, Software, Main Personnel, Various Instruments, Guitar (Acoustic), Synthesizer, Cymbals, Shaker, Handclapping, Sound Effects, Field Recording, Musician, Member of Attributed Artist, Vocals, Synthesizer, Dumbek, Main Personnel, Various Instruments, Guitar (Acoustic), Synthesizer, Cymbals, Shaker, Handclapping, Field Recording, Mixing, Guitar (Acoustic), Dobro, Hurdygurdy, Recorder, Piano, Synthesizer, Guitar (Bass), Glass, Percussion, Chimes, Sound Effects, Pedal Steel, Korg Synthesizer, Field Recording, Composer, Mixing, Toy Piano, Korg Synthesizer, Bowed Banjo, Mixing, Guitar (Electric), Banjo, Sequencing, SH-101, Group Member, Bass Instrument, Guitar, Guitar (Acoustic), Organ, Sequencers. Your information is handled in accordance with the ABC Privacy Collection Statement. Berlin-Kreuzberg. Schmidt (b. Facebook is showing information to help you better understand the purpose of a Page. Natur, MACK books, London 2014 17, December 2014, Chris Dercon in: Michael Schmidt. More recently Martin was the Mittelheuser Scholar-in-Residence at the State Library of Queensland, where he researched and wrote an e-book on the history of the Queensland Symphony Orchestra, commemorating its 70th anniversary in 2017. Michael Schmidt was born in 1945 in Berlin, where he died in 2014. ), Berlin 1996 Born in Minden, Schmeding studied church music, music pedagogic, recorder, organ, conducting, harpsichord and music theory at the Musikhochschule Hannover, at the Sweelinck Conservatory in Amsterdam and the Robert Schumann Hochschule in Düsseldorf.

From 2002 to 2004, he was the Kreuzorganist at the Kreuzkirche in Dresden.

Michael Schmidt, Galerie Springer, Berlin 1990

The Foundation for Photography and Media Art with the Michael Schmidt Archive was founded in 1999, and since the artist’s death is organising and preserving the artist’s archive (www.archivmichaelschmidt.de). ), Berlin 1973, Triptychon II (from Waffenruhe), 1985-1987, gelatin silver print, framed by the artist, 3 photographs, 49.3 x 39 cm (left + right panel), 49.9 x 59.8 cm (middle panel), Untitled (from Berlin Wedding), 1976-78, gelatin silver bromide print, toned gold, framed by the artist, 20,4 x 28 cm, framed 44,2 x 46,7 cm, Michael Schmidt, Untitled (from Portraits), 1992, gelatin silver bromide print, toned gold, framed by the artist, 82.5 x 66.5 cm, framed: 84 x 67.5 cm, Installation view "Michael Schmidt – WAFFENRUHE (CEASEFIRE) 1987", Volksbühne, Berlin 2018 (projection), Installation view "Michael Schmidt – WAFFENRUHE (CEASEFIRE) 1987", Volksbühne, Berlin 2018 (projection), Untitled (from Waffenruhe), 1985 - 1987, gelatin silver print, framed by the artist, group of 9 photographs, overall dimensions 150.9 x 120.9 cm, Unitled (from Stadtbilder), 1982/2009, gelatin silver print, framed by the artist, 70.1 x 88.2 cm, framed 89.3 x 104.9 cm, Installation view "Michael Schmidt – Grau als Farbe (from Waffenruhe, 1985-1987)" Haus der Kunst, Munich 2010 (exhibition), Untitled (from Waffenruhe), 1985-87, gelatin silver print, framed by the artist, group of 9 photos, 6x (50.3 x 40.3 cm), 2x (50.5 x 60.3 cm) and 2x (90.3 x 70.3 cm), Untitled (from Lebensmittel), 2006-2010, installation view "Prix Pictet" exhibition at The Victoria & Albert Museum, London 2014, Untitled (from Lebensmittel), 2006-2010, gelatin silver prints and two C-prints, group of 9 photographs, framed by the artist, framed each 56.1 x 81.6 cm, Ihme Zentrum (Digital), 1997-98/2009, fine art inkjet print, framed by the artist, 147.2 x 189.2 cm, framed 162.6 x 202.1 cm, Untitled (from Frauen), 1997-1999, gelatin silver prints, framed by the artist, group of 7 photographs, 44 x 30 cm, framed each 60.2 x 49.8 cm, Untitled (from Frauen), 1997-1999, gelatin silver print, framed by the artist, group of 2 photographs, 59.6 x 49.6 cm, framed each 60.2 x 49.8 cm, Frauen, 1997-1999, installation view "Grau als Farbe" Haus der Kunst, Munich 2010, Untitled (from Landschaft), 2007, Gelatin silver print, framed by the artist, 76 x 100 cm, framed 95 x 118 cm, NATUR, 1989/2014, gelatin silver print, framed by the artist, 23.9 x 17.9 cm, framed 26.5 x 20.5 cm each, Untitled (from NATUR), 1987/2014, gelatin silver bromide print, toned gold, framed by the artist, 23.9 x 17.9 cm, framed 26.5 x 20.5 cm, Untitled (from NATUR), 1987/2014, gelatin silver print, framed by the artist, 23.9 x 17.9 cm, framed 26.5 x 20.5 cm, EIN-HEIT / (U-NI-TY), 1991-94, installation view "Of Mice and Men", 4th Berlin Biennial 2006 (with sculpture by Thomas Schütte), Untitled (from EIN-HEIT), 1991-94, silver gelatin print, 50.6 x 34.6 cm, Untitled (from EIN-HEIT), 1991-94, gelatin silver print, 50.6 x 34.6 cm, Untitled (from 89/90), 1989-1990/2009, gelatin silver print, framed by the artist, 39.9 x 31.7 cm, framed 60.8 x 51.3 cm each, installation view Haus der Kunst "Grau als Farbe", Munich 2010, Untitled (from 89/90), 1989-1990/2009, gelatin silver print, framed by the artist, 39.9 x 31.7 cm, framed 60.8 x 51.3 cm, Untitled (from IRGENDWO), 2001-2004, gelatin silver print, framed by the artist, group of 9 photographs, 32.4 x 24.5 cm each, Untitled (from IRGENDWO), 2001-2004, gelatin silver print, framed by the artist, 32.4 x 24.5 cm each, Untitled (from Berlin, Kreuzberg), 1982, gelatin silver print, framed by the artist, 26.4 x 21.5 cm, framed 53 x 44 cm, Group Exhibition »–« Berlin, 2020, Group Exhibition »ORTHODOX ABSTRACTION (and of course there was poetry)« Berlin, 2020, Group Exhibition »Stadtbilder« Stockholm, 2019, Group Exhibition »Umstülpung - curated by Günter Umberg« Berlin, 2012. Stadtbilder, Bezirksamt Kreuzberg von Berlin, Berlin 1984 ), Cologne 2010 (DE and ENG), Ute Eskildsen: In Passionate Conflict Between Representation and Presentation, in: Fotografien seit 1965, Museum Folkwang Essen 1995, Lewis Baltz: Notes on Waffenruhe, 1988, in: Lewis Baltz: Texts, Göttingen 2012, Untitled (from Waffenruhe), 1985-87, gelatin silver print, framed by the artist, group of 9 photos, 4x (50.3 x 40.3 cm), 3x (50.5 x 60.3 cm) and 2x (90.3 x 70.3 cm).



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