rosemary laing brownwork
Rosemary Laing brownwork #7 1997, printed 1998 82.1998 Rosemary Laing greenwork TL #1 1995 299.2004.1 Rosemary Laing groundspeed (Red Piazza) #4 2001 451.2001 | Collection highlight Rosemary Laing (Australia 1959 – ) brownwork #7, from the series brownwork. BROWNWORK #1, 1996. Sold for $2,880 (inc. BP) in Auction 8 - 29 April 2009, Melbourne. born 1959. Rosemary Laing is a photomedia artist who has exhibited extensively in Australia since the late 1980s, and has more recently shown across the United States, Europe and Asia.
Estimate: $2,500 - 3,500. Born in Brisbane in 1959, Laing has a Diploma of Art Education from Brisbane College of Advanced Education (1976-79), a Diploma of Art from Tasmanian School of Art (1982) and a Post Graduate Diploma from Sydney College of the Arts (1990-1). The processes and machinery that make travel possible are often obscured by the mask of technological efficiency, but here Laing exposes them. We are observing strict physical distancing and hygiene measures to protect the health of visitors and staff and minimise the spread of COVID-19 (coronavirus). It consists of four images: 'Brownwork' #1, #7, #8 and #9. 'Brownwork #9' was shown at Sydney's Museum of Contemporary Art in an exhibition 'Photography is dead! brownwork #7, Envisioned: Rebecca Cummins and Rosemary Laing, Monash University Gallery, Clayton, 12 Oct 1997–12 Dec 1997, Brownwork Rosemary Laing, Annandale Galleries, Annandale, 10 Feb 1998–08 Mar 1998, Rosemary Laing: transportation, Art Gallery of New South Wales, Sydney, 11 Jul 2015–20 Sep 2015. Rosemary Laing brownwork 1997 from the series brownwork Number: 9 Type C print 122 x 258 cm Courtesy of the artist and Tolarno Galleries, Melbourne.
Rosemary Laing Rosemary Laing's work has achieved considerable national and international attention and has been included in numerous group exhibitions in Australia and overseas. In 1996 she completed with first class honours a Masters of Fine Arts at the College of Fine Arts, University of New South Wales. Update from the Gallery regarding COVID-19. Access more artwork lots and estimated & realized auction prices on MutualArt. Photographing empty airfreight containers and cargo in transit from above, she examines the industrial and in-between spaces where flight occurs.
Rosemary Laing. In the midst of this working industrial landscape, Laing’s theatrical gesture counterposes a single ancient human action with the mechanical might of a modern aircraft.
Rosemary Laing is one of the most influential artists of her generation.
Rosemary Laing (Australia 1959 – ) brownwork #2, from the series brownwork. For a better experience, switch to Mobile Version », The Art Gallery of New South Wales is open. Location Not on display Further information. 546 Dean Street, Albury NSW 264002 6043 5800mama@alburycity.nsw.gov.au. We acknowledge the traditional custodians of the Country on which the Gallery stands, the Gadigal of the Eora Nation, and recognise their continuing connection to land, waters and culture. In 'brownwork' Laing turns her attention to the structures that facilitate air travel. The Brownwork series was first made in 1997. Acquired directly from the artist Private collection, Sydney. Rosemary Laing – 'Brownwork #9' Rosemary Laing is a photomedia artist who has exhibited extensively in Australia since the late 1980s, and has more recently shown across the United States, Europe and Asia. Rosemary Laing's work has achieved considerable national and international attention and has been included in numerous group exhibitions in Australia and overseas. Type C photograph. Rosemary Laing is one of the most influential artists of her generation.
Anne Marsh, Eyeline, `Rebecca Cummins and Rosemary Laing: Envisioned', pg. Envisioned: Rebecca Cummins and Rosemary Laing, Monash University Gallery, Clayton, 12 Oct 1997–12 Dec 1997.
Brownwork #9 1997; C-type photograph; 120 x 245 cms; UTS Art Collection, purchased 2002; Accession number: UTS2002.015; View more works from the UTS collection Revealing the labour and resources involved from unfamiliar vantage points, Laing dramatises the mechanics of this transitory state.
Closed Good Friday & Christmas Day. Rosemary Laing. Provenance. 41-42, Kelvin Grove, 1997, 41,42. Revealing the labour and resources involved from unfamiliar vantage points, Laing dramatises the mechanics of this transitory state. Rosemary Laing airport 1997 from the series airport Number: 2 Type C print 122 x 263 cm Courtesy of the artist and Tolarno Galleries, Melbourne. The image is also part of the Sydney Airport lightbox project in the Qantas arrivals hall, and in the collection of Monash University, Melbourne. Location Not on display Further information. Photographing empty airfreight containers and cargo in transit from above, she examines the industrial and in-between spaces where flight occurs. 25.0 x 49.0 cm. signed, dated and inscribed verso: To Sandy XX Rosemary Laing / Brown Work #1 1996. The processes and machinery that make travel possible are often obscured by the mask of technological efficiency, but here Laing exposes them. This is immediately obvious with brownwork #1 (1996), in which a javelin-throwing woman aims a lance into the belly of a cargo plane.
Through travel we transcend the boundaries of time and space; far flung destinations become adjacent neighbours and time folds back on itself. one dozen unnatural disasters in the Australian landscape ... Update from the Gallery regarding COVID-19, Read the latest visit information, including hours, Envisioned: Rebecca Cummins and Rosemary Laing. Signed and dated l.r.
curated by Linda Michael. Art Gallery Rd, The Domain 2000Sydney, AustraliaInfo line 1800 679 278, See opening hours and admission Blair French., Brownwork Rosemary Laing, 'brownwork', Annandale, 1998.
corner verso, pencil ".../ 1997 Rosemary Laing .../". One of Australia's most adventurous photographers, she works more like a film director than a traditional photographer, along the lines of Cindy Sherman, Gregory Crewdson and Tracey Moffatt. For a better experience, switch to Desktop Version. Rosemary Laing: transportation, Art Gallery of New South Wales, Sydney, 11 Jul 2015–20 Sep 2015 Through travel we transcend the boundaries of time and space; far flung destinations become adjacent neighbours and time folds back on itself. : long live photography!'
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