gary hume: door paintings
On moving closer, an image of a pair of wooden barn doors becomes apparent.
Modern & Contemporary Art Resource. This alternative location offers the author with an abundance of different creative stimulates, as evidenced by Gary himself who stated the following concerning his New York studio: Where I live in New York, there's a wood. (Quoted in 'Brilliant', p.45.) Featured image: Gary Hume - Photo of the artist - Image via theguardian.com Gary Hume first returned to his ‘Door’ paintings in 1998 with a temporary external commission for the Hayward Gallery, London.
Ridges of paint at the edges of and inside the light pink sections define further rectangles. Double Bloom introduces three new paintings of flowers that play with balance, repetition—and the importance of “how things meet.” Gary Hume (b.
Where is the skin and where is the flesh? Gary Hume - Double Bloom – Sprüth Magers From his breakthrough Door paintings to his most recent work, Gary Hume has harnessed the aesthetic power of symmetry. The paintings explore the difference between the painted and the real. Via his colorful and kitsch work that is one of the finest and mildest examples emerging from the oftentimes extreme arts of the YBA, Gary explores the dualities of our nature, investigating such notions as desire, repulsion, sexuality and innocence[1]. Initially, Hume used mainly bright colors but later turned towards much more muted tones. On revisiting the cheerful canary yellow of cheap garage flowers in Shine, the smell of slow grim death comes to me along with the overpowering feeling of helplessness that large institutions can imbue. The gloss colour is applied in one or two layers' (quoted from unpublished interview with Tate curator Jo Crook). His earliest notable series of artworks was the now iconic Door Paintings project[2]. He usually uses a single colour, and incorporates circles, squares and rectangles to represent the windows and panels of actual doors. Swing by before visiting times are over. He attended Homewood School. Incubus belongs to Hume's series of Door paintings, made between 1989 and 1991. Some of the doors (Mushroom Door and Brown Door) are in anonymous domestic magnolia to please all. Lita Doolan June 23, 2008. Hume is one of the group of young British artists whose careers were launched by the seminal group show Freeze, organised and curated by artist Damien Hirst (born 1965) in London's Docklands in 1988. The doors depicted in Incubus, with their square and rectangular panels, are formally reminiscent of Marcel Duchamp's semi-ready made sculpture Fresh Widow 1920 (Museum of Modern Art, New York). From around that point on, his forms and colors were dramatically simplified, with people being reduced to just two or three colors per the depicted individual. To see what your friends thought of this book. And I hope I never find out what lies behind. Red Barn Door is a large-scale painting on two abutting aluminium panels. This artist is represented by White Cube Bermondsey London, Weng Contemporary, Galerie Fluegel-Roncak and White Cube Mason's Yard London. Hume's work was included in the 1995 exhibition Brilliant!, a showcase of work by … I find myself more and more interested in discovering where the hierarchies lie, what is above and what is below.
Seemingly abstract compositions, rendered in high-gloss, commercial house paint, inspired by the institutional, swing doors of St. Bartholomew’s hospital in London’s East End. He graduated from Goldsmiths College in 1988. Next day I found one of those "Happy Birthday" balloons caught in the trees. I'm the owl, totally disengaged as the balloon bobs. Before heading out to events please check that what you are doing is safe and legal. He … Current regulations are subject to change. Soon, Hume became nationally known for his depictions of everyday subjects using high-gloss industrial paints that made his work truly stand out. Young British Artist Gary Hume came to prominence in the early 1990s with his “Door” paintings, a series of life-sized paintings of hospital doors. His earliest notable series of artworks was the now iconic Door Paintings project [2]. From his breakthrough Door paintings to his most recent work, Gary Hume has often harnessed the aesthetic power of symmetry.
It had almost deflated. The ‘z’ shape wooden framework of the doors is raised (a result of Hume’s ‘drawing’ their outlines using a form of silicon paste), whereas the planks of wood are delineated by a thin line of gold-coloured paint or ink. Hume’s Door Paintings of this decade—life-size representations of hospital doors—proved to be a critical success, attracting the attention of the collector Charles Saatchi. It is also defined as a nightmare, or similar oppression. Hume finally abandoned doors as a subject in the mid-1990s, turning to paintings in household gloss paint on aluminum panels. A characteristic of the work of artists in this exhibition was the appropriation of everyday objects and subjects. The panels were cut to measurements taken from hospital doors. Hume's work was included in the 1995 exhibition Brilliant!, a showcase of works that paid tribute to the successes of the YBA. Gary's early works were a part of two very important YBA exhibitions - The Freeze, a show organized by Damien Hirst in 1988, and East Country Yard, a warehouse exhibition organized by Henry Bond and Sarah Lucas in 1990. June 20th 2008
Welcome back. His work was included in both Freeze, an exhibition organised by Damien Hirst in 1988, and East Country Yard, a warehouse exhibition organised by Henry Bond and Sarah Lucas in 1990. by Modern Art Oxford. Soon after this he abandoned canvas and began painting on MDF board and Formica panels, creating obsessively smooth surfaces and developing the theme of doors. Hume uses house paint to make the connection even more literal. I'm not naming the political, but the human. For the British Pavilion at the Venice Biennale (1999), he produced the "Water Paintings," large-scale works of multiple, overlapping line drawings of nudes punctuated by flat areas of color. Modern Art Oxford, June 15 - Aug 31 2008. We would like to hear from you. These were life-size representations of hospital doors that were shown in England, Germany and the United States. The tape and excluder are then cut away. Ironically, depicting everyday common elements and objects is what made Gary Hume and his great work truly stand out Till 31 August. Hume's art and its development was an interesting journey that saw him change many styles and subjects, starting with the minimalistic, abstract compositions and ending up with much more fluid, borderline lyrical images of animals and celebrities. This is one of a number of paintings which Hume based on swing doors found in hospitals. My walk quickens as I exit through the doors of this fabulous exhibition, and I'm glad to leave, for it touches a nerve. Hume has explained: 'the ridges are formed by applying masking tape and draft excluder and building up the edge with several coats of primer. I heard an owl in the night. He attended Homewood School before he went to study at the Goldsmiths College, where he graduated in 1988. We’d love your help. From a distance, because of the glossy paint used by Hume, the painting has the appearance of a reflective red monochrome surface.
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